The French Australian Review – No 71 Australian Summer 2021-2022

ISSN 2981-894X (Online), ISSN 2203-5362 (Print) JANE GILMOUR & ELAINE LEWIS, Foreword   PATRICIA CLARKE, Australian Connections with the Franco-Prussian War 1870 and the Commune of Paris 1871 WINNER OF THE 2022 IVAN BARKO AWARD In 1870 the Sydney Morning Herald published reports of the fast-moving Franco-Prussian war from its Paris correspondent Anna Blackwell culminating […]

The French Australian Review – No 56 Australian Winter 2014

HENRY MÉRA, ELAINE LEWIS, IVAN BARKO, Foreword TOM LOCKLEY, Maurice Guillaux: France’s Forgotten Pioneer Airman in Australia This article coincides with the centenary of the first postal flight in Australia carried out by French pioneer airman, Maurice Guillaux. That historic flight between Melbourne and Sydney took place in July 1914. The article summarises what can […]

Explorations – No 42 Jun 2007

WALLACE KIRSOP, Foreword ERIC BOUVET & ELIZABETH BOUDET-GRIFFIN, French Migration to South Australia (1955-1971) In this demographic study the authors provide a concise but comprehensive summary of historical patterns in French migration to Australia at the national level. This is followed by a detailed analysis of data obtained from the Adelaide Branch of the National […]

Explorations – No 24 Jun 1998

(issued April 1999) PATRICIA CLANCY, JACQUES DE SAINT-FERJEUX, COLIN THORNTON-SMITH, Foreword ROLLON MOUCHEL-BLAISOT, A Tribute to the French Film Festival: Cannes Film Festival Fiftieth Anniversary Retrospective. In 1997, to celebrate the fiftieth anniversary of the Cannes Film Festival, twelve outstanding French films were showcased at the festival and these were subsequently made available to the […]

Explorations – No 23 Dec 1997

(issued November 1998) PATRICIA CLANCY, JACQUES DE SAINT-FERJEUX, COLIN THORNTON-SMITH, Foreword M. BLACKMAN, Transculturalism and Hybridity in the French-Australian Writer Paul Wenz Maurice Blackman considers the transcultural position displayed by Wenz in ‘both the content and the écriture of his texts’. ‘His point of view is not that of a Frenchman specifically, but of someone […]